Posts by Cristina Samper
Stare Deeply Into the Eyes in Annan Affotey’s Portraits
Having explored an extensive array of styles through his career, Annan Affotey has recently brought interpretation into a new dimension: portraiture.
Read MoreFeel the Devotion of Genesis Tramaine’s Work Through Her Solo Show “Evidence of Grace”, at Almine Rech, Brussels
To put it simply, the work of Genesis Tramaine will capture the spectator, no matter what perspective or point of view.
Read MoreMeet the Contemporary Old Master Who Will Take Your Imagination on A Spin, Tom Waring.
Waring calls upon to the viewer a fascinating mèlange of Old Master painting techniques and contemporary imagination.
Read MoreExplore the Raw and Complex Work of Cathrin Hoffmann
Through a layered multimedia creative process, German artist Cathrin Hoffmann took the time to explain the origin behind her otherworldly creations.
Read MoreDive Into the Latest Work of Emily Mae Smith at Rodolphe Janssen, Brussels
Throughout her artistic career, Emily Mae Smith has been known for her talent of bringing inanimate objects to life.
Read MoreSense the Multifaceted Layers of New York City in the Work of Devin B. Johnson
To Interact with Devin B. Johnson’s work is to dive head first in the realm of imagination and memory.
Read MoreEnter the Conceptual Universe of “Winter of Discontent” at 303 Gallery, NY
During the snowy New York winter of 2021, you won’t find a more apt exhibition to see than A Winter of Discontent.
Read MoreMeet Kayla Mattes, Who Uses Thread As Paint, And The Loom As Canvas
Based in LA, Kayla Mattes presents her work through the rarely-seen craft of weaving.
Read MoreDiscover the Layered and Iconic Craft of Bony Ramirez
The raw depiction of subjects through vivid colors come to life in the work of Bony Ramirez.
Read MoreTravel Between Mediums and Experience the Full Breadth of Bernadette Despujols’ Work
Born and raised in Venezuela, the renowned painter, sculptor and designer Bernadette Despujols stretches and breaks all barriers of conceptual art.
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