Cristina BanBan’s Work Holds An Oblong Sense of Comfort

We reached out to Cristina BanBan during this time of social distancing and were lucky enough to have her open up about her artistic process, her life moving around the world, and her dedication to painting from a very young age.

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Magda Skupinska’s ‘Layú’ at Maximillian William is a Crucial Reminder of Our Connection to Land and Nature

To recall Magda Skupinska’s recently closed show, Layú (meaning ‘land’ in Isthmus Zapotec, a language native to parts of Oaxaca) at Maximillian William is to recall a sensorially minimal and fresh experience.

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Anna Weyant Paints Figures of Playful Rebellion

Finding humor in the “paradoxical idea of misbehaving within a structured and controlled environment,” she choose dollhouses to set the stage of her first solo show at 56 Henry in New York last fall.

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