Magda Skupinska’s ‘Layú’ at Maximillian William is a Crucial Reminder of Our Connection to Land and Nature

To recall Magda Skupinska’s recently closed show, Layú (meaning ‘land’ in Isthmus Zapotec, a language native to parts of Oaxaca) at Maximillian William is to recall a sensorially minimal and fresh experience.

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Anna Weyant Paints Figures of Playful Rebellion

Finding humor in the “paradoxical idea of misbehaving within a structured and controlled environment,” she choose dollhouses to set the stage of her first solo show at 56 Henry in New York last fall.

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The Impenetrable Stare of Cinga Samson

They’re self-portraits, where Samson hopes to share his own journey and have others resonate with that, but the empty gray eyes imply an anonymous impenetrability.

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